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Colors of mat 2012.
In general using the dominant colors of the art in the mat draws the eye to the art rather than to the framing.
To most people math appears abstract mysterious complicated inaccessible.
The rgb triplet is a three element row vector whose elements specify the intensities of the red green and blue components of the color.
As long as the mat color is borrowed from one of the secondary or tertiary colors in the artwork a color mat can work well.
Math can be sensual.
Using a white for the top mat is always a safe choice.
Using the dominant colors in the art.
If you mat with those background colors the artist s intended focal point will still draw the eye to it.
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The short names and long names are character vectors that specify one of eight predefined colors.
Choosing a mat color based on dominant colors.
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Consider a pale forest green for a barn in front of a out of focus forest or light blue to complement the distant sky of a cityscape.
The matboard specifier images below are good examples of items with strong colors.
Math can be tasted it smells it creates sound and color.
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The intensities must be in the range 0 1.
If your item has a strong color theme you might try to match one or more of the colors in the item.
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One can touch it and be touched by it.
If you choose this method the eye of the viewer will be drawn to the art.
A very common way to choose a mat color for your portrait or piece of art is to choose one that will help bring out the dominant color of the piece.
If the piece has a focal point and there are background colors you can.
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